Upcoming News | Exhibitions | Events
CURRENT
NOW ON VIEW - The Golden Thread A Fiber Art Exhibition
APRIL 26 – MAY 12
207 FRONT STREET AT THE SOUTH STREET SEAPORT
The exhibition The Golden Thread shines a light on a group of exemplary artists who have made of the radical use of textiles their frequent or dedicated métier. Hailing from different parts of the U.S. and beyond, their wildly varied artworks occupy four floors of a landmark 18th century warehouse previously used to store, among other period wares, bails of cotton and bolts of fabric arriving and departing New York’s South Street Seaport. Repurposed by the exhibition’s organizers, Karin Bravin and John Lee—longtime New York dealers and champions of textile art—the building’s 10,000 square feet have been marshaled to array both discrete objects and commissioned installations. As befits a showcase rather than an exhaustive thematic or historical survey, the artworks featured in The Golden Thread run the gamut—from foursquare pictures to three-dimensional artworks, from freestanding sculptures to editioned rugs, from hanging tapestries to immersive environments. The exhibition includes 61 artists and over a 100 artworks.
Each May, a chirpy flock of songbirds returns to Appleton Farms in Ipswich. The declining, migratory bobolinks settle in there to mate and hide their nests in the historic property’s grassy fields. But when they arrive this year, the bobolinks will become the stars of a pastoral art installation called “Perch.” It’s debuting during Earth Week, and, as I found out on a farm visit earlier this month, the project is — literally — for the birds.
”Among those offerings that visitors can experience without buying a ticket is artist Jean Shin’s stunning commission ‘Water’s Echo’ (2023), which hangs on permanent display in the PAC restaurant, Metropolis. The 16-foot-wide, shimmering wall installation is made of thousands of sewn-together mother-of-pearl buttons.
Shin explained to Hyperallergic that the work is a ‘reimagining of the New York waterways.’ The topographic map depicts the Hudson River, its estuaries, and the Atlantic Ocean. The site is the home of the Lenape people and a place that used to be called ‘Oyster Island‘ by the Dutch.
‘By installing this piece at PAC, I am returning the beautiful remains of endangered and threatened species to a shoreline where marine life once thrived,’ Shin said. ‘As audiences come to see performances at the Word Trade Center site, I invite them to be moved by its many histories of loss and regeneration, including ecological restoration.’”
ReFuse: Art From the Everyday
Powerhouse Arts, Brooklyn, NY
Now on view in the lobby and second floor of Powerhouse Arts, ReFuse: Art From the Everyday explores creative reuse and Gowanus history. The exhibition features work by El Anatsui, Dean Millien, Nancy Rubins, Jean Shin, and Moses Tuki.
Hyperallergic: I Hate to Admit it, But I Loved the Armory Show
By Valentina Di Liscia
”It was approximately 5pm when I stopped, mesmerized, at Jean Shin’s sprawling installation of discarded and obsolete cell phones “Huddled Masses” (2020), the most impressive of the large-scale works in the Platform exhibition, staged on an oval beige carpet stretching across the heart of the fair.”
New York Times: The Armory Show, in a Back-to-School Edition
By Martha Schwendener
“A standout here, presented by Boston’s Praise Shadows Art Gallery, is Jean Shin’s Huddled Masses which features three outcroppings inspired by scholar’s rocks in Zen gardens. Look closer though and the rock-forms are encrusted with mobile phones from the last 20 years, surrounded by a mangle of computer cables. Where traditional scholar’s rocks and Zen gardens promoted mental and spiritual clarity, here your mind wanders to e-waste (which is what Shin’s materials actually are) and what it means to meditate in an age of endless distraction.”
ArtAsiaPacific: We Are All Here | Jean Shin
By Yutong Shi
“In her two decades-long career, Shin has made works rooted in communities and in collective collaboration. Her art reaches all who are here and goes beyond as well, addressing a larger ecosystem than that of human life.
We are all here. We are all part of this world. Shin is envisioning an ecosystem for the future, with a nostalgic vision of a more sustainable past now lost. She wants to hold us accountable, and by taking a tiny step forward she hopes to make a wave that will one day make a difference.”
The Armory Show: Platform 2023 Show Guide
Rewriting Histories, Curated by Eva Respini
“The artists in Platform 2023 use history as material, imagine speculative futures, and employ a variety of material traditions as means of history-telling. Topics include the complex histories tied to colonialism, land, and power; the legacy of labor and migration movements in the 20th century; the combining of disparate accounts to underscore history’s subjectivity; and how materials carry their own cultural values and meanings.
Jean Shin uses the detritus and discarded elements of our everyday lives to create her installations. Fashioned from obsolete cell phones, Huddled Masses is rough-hewn and irregular in shape, recalling the scholar’s rocks found in Zen gardens or traditional Chinese painting. Embedded like fossils in a ground of computer cables, the phones form an archive of 20 years of technological history, mapping our ever-growing digital footprint. The work invites us to reflect on e-waste’s impact on the environment and the planned obsolescence central to our consumer culture.”
Art Spiel: Jean Shin the Alchemist, Turning Waste into Art
By Hovey Brock
“I believe in the power of art to bring awareness to critical social and ecological issues and ask complicated questions of the viewers. When I work collaboratively and ask participating communities to be involved, these ideas are not abstract but tangible and real. Through these intentional engagement practices within my projects, the public becomes invested through the time, care, and labor they put into the project. They become invested in these challenges and the solutions we are all working toward.”
Women Reframe American Landscape
:
Curators' Talk & Artist Panel
Panel Discussion with exhibiting contemporary artists Anna Plesset, Jean Shin, and Saya Woolfalk with co-curators Kate Menconeri, Chief Curator and Director of Curatorial Affairs, Contemporary Art, & Fellowship at the Thomas Cole National Historic Site and Amanda Malmstrom, Associate Curator at the Thomas Cole National Historic Site.
The Curators' Talk & Artist Panel will be presented in partnership at Foreland, Catskill, NY on Sunday, July 30, at 1pm. The event will take place in Foreland's Bookhouse, located at 125 Water Street in Catskill, NY.
Tickets available for purchase here
Whitewall: Jean Shin is Generating Beauty from Waste
By Katy Donoghue
“We need the empathy, we need the person who is seeing things beyond the practical. I do think that is the most effective way, not to be talked down to. I would love to be a zero-waste practitioner, but how do I do that? I realize that it’s an impossible ask, but we have to ask those deep questions, ‘What can I do still?’ It’s a careful audit of little tiny increments of change that actually if everyone did it would have huge impact.”
At the Precipice: Responses to the Climate Crisis
July 18-October 30, 2023
Design Museum of Chicago, IL
Curated by Colossal
At the Precipice considers the role of physical and emotional reactions in the era of climate disaster. Given the proliferation of dire headlines and a public response that vacillates between denial and fatalism, the exhibition explores the use of color, tactility, material, and data not to avoid or disguise the issues but to instead offer accessible entry points.
Featured works utilize a wide scope of art and design methodologies to give shape to aspects of a daunting crisis as they interpret the real-world changes of rising temperatures, environmental destruction, forced migration, and the stark consequences of unsustainable lifestyles enjoyed by few at the expense of many. Included are works by Selva Aparicio, Morel Doucet, Zaria Forman, Luftwerk, the Crochet Coral Reef, Nathalie Miebach, Chris Pappan, Redemptive Plastics, The Tempestry Project, and Jean Shin.
At the Precipice explores how it feels to inhabit an irreversibly damaged planet facing a precarious future and considers the purpose of art and design in understanding how our collective trajectory must rapidly change direction.
Jean Shin: Floating MAiZE
July 10-August 25, 2023
Brookfield Place Toronto, ON
Known for her inventive works that transform cast-off materials into elegant expressions of place and identity, Jean Shin’s art and practice is ingrained with the idea of sustainability. Shin has repurposed thousands of green plastic soda bottles into an elaborate installation that resembles an artificial landscape. This large-scale artwork will float above audience at the Bay Wellington Tower in Brookfield Place Toronto, engaging audiences to consider the relationship between plastic waste, dietary choices, and environmental stewardship.
Jean Shin: Second Skin
June 16-July 23, 2023
Praise Shadows Art Gallery, Brookline MA
Opening Reception June 16, 6-8 PM
Conversation with Jean Shin and Curator Eva Respini
June 28, 7 PM on Zoom
Register here
Widely recognized for her large-scale installations and sculptures, Jean Shin's artist practice is rooted in the rethinking of materials, specifically those that have been discarded at mass scale. As she told the New York Times in a 2009 interview, her criteria for materials is often something that is “cast off from a person’s life because its desirability and usefulness are questioned, that it in some way archives a personal history but also can speak to larger issues going on in our culture.” Second Skin is composed of materials used prominently in recent public art commissions, giving them another life in the realm of artistic expression. This exhibition demonstrates the possibilities of translating monumental public art works into intimate indoor experiences by building on the materials' history and finding common ecological narratives in the new works.
The Armory Show Interview: Eva Respini discusses the 2023 Platform section
“The pleasure of working with living artists is that you can speak with them, and my curatorial practice has always been grounded in dialogue with artists. I’m always learning from artists, as they often challenge established assumptions—it’s one of the things I love most about being a curator. Some of the questions being captured in this moment include those dealing with how artists use history as material, how materials carry their own cultural histories and meanings, and how artists can help us reimagine new ways to understand our past in the present. The works featured from Jean Shin and Woody De Othello, for example, are invested in the ways that materials carry their own histories and cultural values by looking at everyday objects through a new lens, creating the monumental from the everyday.”
“‘I feel responsible for these things,’ Jean Shin says during a tour of her studio, a converted three-story barn on the outskirts of Kingston, New York, that is filled nearly to the rafters with discarded items — brightly colored computer cables neatly coiled like snakes, fraying blue denim sliced into long narrow strips, and stacks of matchbook-sized museum photography slides, still bearing the careful handwriting of archivists and art history professors.
Shin’s work honors these and other cast-off items, assembling what some would call waste into elaborate narrative sculptures that often explore the lasting social and environmental impacts of American consumer culture. Naturally, Shin recycles even her own work.”
The Berkshire Eagle: Review: ‘Women Reframe American Landscape’ celebrates women artists of the Hudson River School with historical and contemporary works
By Lauren Levato Coyne
“At an early preview of the exhibition, artist Jean Shin was on location to put the finishing touches on her works. Installed on the generous, wraparound porch of the main house, Shin has physically mined the land at the Cole Site in order to comment on the carbon footprint of art and art making. She is also interested in ideas around displacement. By combining waste from her own past installations — denim, Korean celadon pottery chards, electronic wires, and shredded Mountain Dew bottles—with neutralized soil from the TCNHS inside wooden crates that formerly held Cole’s artworks, Shin has created three time-capsules that comment on ideas of displacement from land and lopsided ideas of the landscape.”
Exercises in Imagination
May 18-June 28, 2023
National Academy of Design, New York, NY
Public Opening May 18, 2023 6-8 PM
RSVP by May 10th
The National Academy of Design is pleased to present Exercises in Imagination, the induction exhibition of recent work by seventeen National Academicians who were elected to the National Academy of Design in the fall of 2022. With a focus on the myriad of potential that their practices create, Exercises in Imagination is poised to frame a dialogue between art, architecture, and emerging disciplines, which are at the heart of the National Academy’s founding. Works in the exhibition collectively envision realms that move between shared histories and speculative futures.
The Class of 2022 National Academicians includes Laurie Anderson, Edgar Arceneaux, Radcliffe Bailey, Deborah Berke, Huma Bhabha, Tania Bruguera, J. Yolande Daniels, Leonardo Drew, Nicole Eisenman, Julie Eizenberg, Hank Koning, Rick Lowe, Jean Shin, Arthur Simms, Michael Van Valkenburgh, Dan Walsh, and Nari Ward.
Time Out New York: Some of the city’s best art lives underground; find it with the new Pratt Transit Art Tour
By Rossilynne Skena Culgan
“Nearly 30 stops make up the Pratt Transit Art Tour inviting viewers to explore the diversity of creative expression from Pratt's interdisciplinary community, from architects, artists and industrial designers. Some of the pieces date back to the 1960s, while others were installed this year.”
For a station on the long-awaited 2nd Avenue subway line, Adjunct Professor CCE of Fine Arts Jean Shin, BFA ’94; MS ’96, used imagery from early 20th-century photographs of the dismantled elevated lines. Including laminated glass, glass mosaics, and ceramic tile, Elevated (2017) at the Lexington Avenue/63rd Street (F/Q) station transports travelers into the past while they experience the subway’s future.
May 6-October 29, 2023
Thomas Cole National Historic Site, Catskill, NY
Opening Reception May 6, 2023, 5-7 PM
Women Reframe American Landscape: Susie Barstow & Her Circle/ Contemporary Practices is a two-part exhibition and accompanying publication illuminating the artistic contributions and perspectives of women. The project will reinsert the accomplished 19th-century American artist Susie Barstow (1836-1923) into the history of the Hudson River School of landscape painting and present work by contemporary artists who expand and challenge how we think about “land” and “landscape” today.
The internationally acclaimed contemporary artists include: Teresita Fernández, Guerrilla Girls, Marie Lorenz, Tanya Marcuse, Mary Mattingly, Ebony G. Patterson, Anna Plesset, Jean Shin, Wendy Red Star, Jaune Quick-to-See Smith, Cecilia Vicuña, Kay WalkingStick, and Saya Woolfalk.
Convergence Zone
April 5-August 27, 2023
Anderson Collection at Stanford University, CA
Convergence Zone focuses on the human-planet relationship, featuring artworks by Deborah Butterfield, Ethan Estess, Helen and Newton Harrison, and Jean Shin, the 2022-23 Denning Visiting Artist and artist-in-residence at Stanford School of Medicine’s LaBeaud Lab.
ARTIST TALK: Jean Shin in conversation with Marci Kwon
May 10, 2023 6 PM
Register here
New Permanent, Public Art Commission at Brooklyn Height Library
APRIL 4, 2023 at 6:30 ARTIST TALK AND TOUR, register
Commissioned by Brooklyn Public Library, Jean Shin's Something Borrowed, Something Blue is a permanent artwork at Brooklyn Heights Library that was commissioned on Brooklyn Public Library’s 125th Anniversary. Marking the inauguration of the newly renovated branch, the public work offers the people of Brooklyn a potent materialization and metaphor of knowledge in our contemporary life and the library as a living system.
By Ben Yakas
“It was a subway that was promised to New York City over 100 years ago and just never arrived,” Shin said. “I feel like it's a beautiful story of what people dream of, and of course infrastructural failure, until generations later we get the new subway.”
“…a terrific place to read in the prow of the library, where tiered reading tables, arrayed under a spectacular hanging sculpture by Jean Shin of an upside-down tree, look onto Cadman Plaza Park through big windows.”
This 2022-2023 residency is hosted by the LaBeaud Lab with funding from the Stanford Visiting Artist Fund in Honor of Roberta Bowman Denning.
Thursday, November 17 / 6:30 p.m. via Zoom / All Ages / FREE
Jean Shin, for an artist talk to learn about her artistic practice and her current installation Home Base at Laumeier. RSVP here.
JEAN SHIN: HOME BASE
Laumeier Sculpture Park, St. Louis
September 10 – December 11, 2022
Laumeier Sculpture Park, St. Louis
EXHIBITION OPENING
Saturday, September 10 / 11 a.m. - 1 p.m.
ARTIST TALK / 11:30 a.m.
Join Laumeier’s 2022 Visiting Artist In Residence Jean Shin at her new installation Home Base, 2022
on view in Laumeier’s South Lawn.
2022 National Academicians Elected
The National Academy of Design is delighted to announce that seventeen artists and architects from across the United States have been elected as National Academicians in the class of 2022. Recognized for their contributions to contemporary American art and architecture, this year’s class of newly elected Academicians includes:
Laurie Anderson
Edgar Arceneaux
Radcliffe Bailey
Deborah Berke
Huma Bhabha
Tania Bruguera
J. Yolande Daniels
Leonardo Drew
Nicole Eisenman
Julie Eizenberg
Hank Koning
Rick Lowe
Jean Shin
Arthur Simms
Michael Van Valkenburgh
Dan Walsh
Nari Ward
Induction Program
An online video program celebrating the Class of 2022 National Academicians will be screened publicly on
Tuesday, October 25 beginning at 6 pm. Check our event calendar for more information.
Induction Exhibition
A special exhibition featuring recent work of the 2022 National Academicians is anticipated for 2023.
Details will be announced in the coming months.
Thu, November 3, 2022, 6:00 PM – 7:30 PM
The Discovery Center 3401 Reservoir Drive Philadelphia, PA 19121
This talk shares and celebrates efforts to restore mussel beds and the health of the Delaware River watershed with scientists, educators and culture workers guiding this work in the city of Philadelphia. This event features a talk from 6-7pm followed by a live biology demonstration.
Speakers include: Lance Butler, Senior Scientist-Office of Watersheds Planning & Research Division Philadelphia Water Department, Danielle Kreeger, Ph.D. Senior Science Director for the Partnership for the Delaware Estuary (PDE), Maitreyi Roy, Executive Director, Bartram’s Garden and Bria Wimberly, Environmental Educator, Audubon Mid-Atlantic located in The Discovery Center.
Thu, October 20, 2022 at 6 p.m.
FringeArts 140 N Christopher Columbus Blvd Philadelphia, PA 19106
Across from Cherry Street Pier where installation is on view
Jean Shin speaks to her artistic practice and inspiration and the complex relationship to our surroundings conceptualized in Freshwater.
Materia/Material
Governors Island
House 7B, Nolan Park, Friday-Saturday, 12-6 PM
September 17, 2022 -October 22, 2022
The National Academy of Design presents Materia/Material, an experimental exhibition that is the culmination of a summer residency on Governors Island exploring sustainable art and design practices. The exhibition features work by artists and architects including Adrián S. Bará, Christina Barrera, Hugo Bastidas NA, Jane Benson, Elizabeth Demaray, Zac Hacmon, Elana Herzog NA, Lisa Hoke NA, Stephanie Lin, Jim Osman NA, Camille Rouzaud, Jean Shin, Dianne Smith, Ed Smith NA, and Michael Kelly Williams
Sept 24 – Dec 30, 2022
Curated by Tina Plokarz
Opening Reception on Oct 8, 2022 at 3:30 pm
Forest Makings is a group exhibition featuring sculptures, paintings, textiles and installations that explore how humans influence forests and manage their survival through practices of conservation. While shedding light on the environmental benefits of forests and the threats posed by changing climates, Forest Makings is an invitation to consider our own responsibility towards the health of forests and the survival of the earth.
Forest Makings presents artworks by Jean Shin, Ana Vizcarra Rankin, Aaron Terry, Amir Campbell, Tali Weinberg, Vivien Wise, and instrument makers Gladys Harlow, Richard Robinson, and Don Miller (as part of the art project S(tree)twork by Futurefarmers).
The artist’s Freshwater installation at Philadelphia Contemporary features a living, breathing fountain, mussels and all.
by Isabella Segalovich
September 18, 2022
Wednesday, September 7, 2022
6:00 PM 8:00 PM
The Discovery Center 3401 Reservoir Drive Philadelphia
Join Audubon Mid-Atlantic and Philadelphia Contemporary as we dive into our passion for clean waters, freshwater mussels and sustainability. Stemming from the new collaborative exhibit created by Jean Shin at the Cherry Street Pier, panel speakers will touch base on the importance of these filter-feeding bivalves and about the history of our mussel nursery site: the Strawberry Mansion Reservoir. Guest speakers include Jean Shin and Keith Russell.
For more information on Cherry Street Pier
Art exhibit underscores mussels’ vital role in the Delaware River
“Freshwater,” at the Cherry Street Pier in Philadelphia, marries art and science
By Katherine Rapin | August 22, 2022
PRESS:
PETER CRIMMINS
WATERSHED: Sculptural fountain at Philly’s Cherry Street Pier is a 16’ glass bed of living mussels
NPR: WHYY
June 20, 2022
Brooklyn-based artist Jean Shin calls the work a “living laboratory.” It was commissioned by Philadelphia Contemporary as part of Water Marks, a multi-year series of sculptural work temporarily installed along the Delaware River.
Jean Shin: Freshwater presented by Philadelphia Contemporary
Curated by Kerry Bickford
A living laboratory and sculpture commission celebrating the freshwater river mussel
Cherry Street Pier, Philadelphia
June 16 - November 6, 2022
BROOKLYN RAIL: July/August 2022
RECENT
Fault Lines: Art and the Environment
Featured artists include John Akomfrah, Willie Cole, Olafur Eliasson, LaToya Ruby Frazier, Susie Ganch, Allison Janae Hamilton, Hugh Hayden, Hugo McCloud, Richard Mosse, Jean Shin, Jennifer Steinkamp, Kirsten Stolle, Christine Wertheim, and Margaret Wertheim.
THE 22ND ANNUAL FREDERIC CHURCH AWARD GALA
Honoring
LEADER Meredith J. Kane
CURATOR Elizabeth Mankin Kornhauser
ARTIST Jean Shin
The Olana Partnership’s Frederic Church Award honors individuals and organizations who make extraordinary contributions to American art and culture.
Tuesday, April 12, 2022 | 6:30pm
The Rainbow Room, New York City
In-person or broadcast LIVE from New York City
PRESS:
ARTFORUM
March 2022
The “Americans” in the show’s title were perhaps reprised most poignantly in Shin’s works: a suite of tree branches gathered from Hudson River School painter Frederic Edwin Church’s old estate, which are upholstered with colorful scraps of leather and brass nails. Evoking the decor of a Rocky Mountain cabin or a crude merry-go-round, the work is like a cartoon of quaint Americana: our country, gaudy and strange.
PUBLICATION:
Cover of SCULPTURE MAGAZINE and FEATURE
January - February 2022
Everyday Matters: A Conversation with Jean Shin
by Susan Canning
Jean Shin has long operated in the intersection of public art and civic engagement. Site-specific and often temporary, based in community and collective collaboration, and focused on sustainability, her work invites awareness and activism. Through a labor-intensive process, she transforms raw, “crowd-sourced” material—often gathered through open calls for contributions—into immersive, large-scale sculptural installations. Within the performative exchange of recycling everyday objects—everything from pill and soda bottles to sports trophies, sweaters, and computer equipment—diverse groups discover interconnecting narratives and dialogues, shared histories, and associations.
GROUP EXHIBITION:
ONLINE VIEWING ROOM
Chain Letters
74 FRANKLIN STREET
NEW YORK, NY 10013
November 12, 2021-January 22, 2022
TRIBECA
‘8 Americans’
Through Jan. 22. Chart, 74 Franklin Street, Manhattan. 646-799-9319; chart-gallery.com.
The last two years have brought a public reckoning over Asian American identity. The pandemic and a new wave of xenophobia have led to a surge of hate crimes against Asian Americans, sparking discussions of their experiences of racism. Simultaneously, books like Cathy Park Hong’s “Minor Feelings,” Jay Caspian Kang’s “The Loneliest Americans,” and the anthology “Best! Letters from Asian Americans in the Arts” have grappled with questions of politics and belonging.
PRESS:
Sophia Ma
8 Artists Grapple with What It Means to Be Asian American in an Intergenerational Group Show
ARTSY
December 21, 2021
Meanwhile, in the series “S.O.S.” (2021), Shin gives new skin and life to found hemlock branches by upholstering the fallen pieces with scrap leather. The leather coverings suggest the prospect of telling new stories about the fallen.
Each artist’s “skin” reveals adversity and transformation, exhibiting the tenacity of the human spirit.
“8 Americans” speaks to the resilience and power of Asian Americans to move forward in the face of adversity. The exhibited works share personal and collective experiences, including that of exhaustion and uncertainty. These American artists, as the title points to, inscribe their unique histories into the fabric of American culture—their traumas and the possibility of healing.
Its title honors victims of the Atlanta shooting tragedy, while its artists speak to a community of strength and resilience in the face of racial injustice.
Leaning against the gallery wall next to Bryon Kim’s dark bruise is a series of wood sculptures by Jean Shin. Each was made from salvaged branches of a fallen hemlock tree from Olana State Historic Site, the former estate of Hudson River School artist Frederic Edwin Church. Hemlocks were highly prized for the tannins in their bark, which were used in the booming leather industry. Paying homage to this long relationship between hemlock and leather, Shin debarked the branches and wrapped the wood in deadstock leather, creating a new skin.
Correspondence Archive is an ongoing collection of written conversations/interviews between racialized artists talking about each other’s work and careers. Our priority is to center the voices and practices of those who have been traditionally marginalized by the art world. Collectively, these conversations will become a way to share and archive a diverse and nuanced range of ideas and individual practices from communities that have often been flattened or erased.
Correspondence Archive is organized by Alex Paik.
GROUP EXHIBITION:
Our Solo Show
Sharon Louden | Edgar Arceneaux | Hasan Elahi | Jean Shin | Melissa Potter | Alpesh Kantilal Patel
ENGAGE Projects, Chicago
October 22 - November 27, 2021
PRESS:
Seph Rodney
Mourning a Tree That Has Lain Down
Jean Shin's "Fallen" bids goodbye to the longevity we thought we had and mourns it, so that we might let it go.
HYPERALLERGIC
Oct 11, 2021
PRESS:
Sarah Rose Sharp
In the Hudson River Valley, Artists Navigate Ecology
The exhibition includes paintings by Thomas Cole and Frederic Church, along with contemporary works focusing on habitat protection and environmental sustainability.
HYPERALLERGIC
Oct 5, 2021
PRESS:
The artist's formative experiences in the kitchen helped shape her approach to art.
May 28, 2021
Invasives is currently view in the outdoor group exhibition
Re: Growth, curated by Karin Bravin
Riverside Park Conservancy, New York City
June 5 - September 13, 2021
View Map of Art Locations
The exhibition includes: Blanka Amezkua, Vanessa Albury, Lee Boroson, Dahlia Elsayed, Mark Joshua Epstein, Rico Gatson, DeWitt Godfrey, Joshua Goode, Valerie Hegarty, Wennie Huang, Beth Krebs, Sadie Laska, Niki Lederer, Wendy Letven, LoVid, Mary Mattingly, Joiri Minaya, Sui Park, Shuli Sadé, David Shaw, Jean Shin, Glen Wilson, Letha Wilson, Woolpunk
The Olana Partnership presents:
Fallen: In Conversation with Jean Shin
April 14, 2021 5:30 PM
View recording
Beyond the Studio
S3 | E11 | EAST COAST EDITION