Jean Shin has earned a reputation for her transformative installations that imbue castoffs of our consumerist society with a new vitality. ... Here, as in much of her work, Shin brings together disparate histories in order to set new ones in motion.
— Susan Harris, Art in America
Our increasing dependence on digital forms of connection has a price, of course, resulting in, for instance, vast amounts of electronic waste. Jean Shin made this reality strikingly visible in “Pause” (2020), an installation at the Asian Art Museum in San Francisco for which she turned thousands of discarded phones, laptops, hard drives, and cables into a sculptural landscape.
— Dorothy R. Santos, Art in America
Jean Shin emphasizes that mass produced objects are imbued with meaning through use, and by accumulating and altering these objects, she makes portraits of the communities that use them. For her, representation requires grounding in authentic material. Shin is a master of simple gestures poignantly enacted; her work contains no unnecessary verbiage.
— Olivia Jia, Hyperallergic
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REVIEWS

Hyperallergic, Seph Rodney
Art in America, Dorothy R. Santos
This is Colossal, Grace Ebert
Artsy, Alina Cohen
Hyperallergic, Ryan Wong
Hyperallergic, Olivia Jia
Philly Voice, Sinead Cummings
6abc
Hyperallergic, Louis Bury
The Brooklyn Rail, Osman Can Yerebakan
Philly Voice, A. D. Amorosi
Boston Globe, Cate McQuaid
Washington Post, Michael O'Sullivan
The Washington Times, Deborah K. Dietsch
The New Yorker
Flash Art, Amanda Church
ARTnews, Hilarie Sheets
Art Asia Pacific, Murtaza Vali
Art in America, Susan Harris
Art in America, Gregory Volk
Time Out NY, Eugenie Tsai
New York Times, Sarah Boxer
Tema Celeste, Joan Kee